Artistic collaborations

“Archée” de Mylène Benoît /Contour Progressif

Festival d’Avignon, 17 au 23 juillet, Cloître des Célestins, Création 2021,

Archée est une recherche sur la place des femmes dans le monde, aujourd’hui et dans l’histoire. Ce projet chorégraphique et musical met en question les égalités symboliques, politiques, sociales ou intimes entre femmes et hommes, à partir des rituels initiatiques – contemporains ou ancestraux – qui jalonnent le parcours des individus

ARCHEE
Conception Mylene Benoit, Choregraphie Mylene Benoit en collaboration avec les interpretes Musique et voix Penelope Michel, Annabelle Playe, Dramaturgie Celine Cartillier, Dramaturgie sonore Manuel Coursin Scenographie Rachel Garcia, Lumiere Rima Ben Brahim, Costumes Maeva Cunci, Collaboration artistique Emilie Domergue (cri et voix saturee), Marie Pascale Dube (chant de gorge), Magda Kachouche, Laurence Oriou (kyudo), Anne Laure Poulain (coach vocal), Nina Santes, Corine Sombrun, TranceScience Research Institute (transe),
Avec Celia Gondol, Hanna Hedman, Sophie Lebre, Agnes Potie, Marcela Santander Corvalan, Tamar Shelef, Lise Vermot, Wan Lun Yu Et les musiciennes Penelope Michel, Annabelle Playe.

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The Hauntological congress – Vienne

1er Novembre 2019 – Performance “Voice Trance Gost Dance” with Simon Mayer (Choreographer- Trance Performer)/Corine Sombrun (Trance performer)

2pm-9pm

Hauntology, the study of spooks and visitations, looks for things in the presence that exist or do not yet exist, for those unachieved potentials and unfulfilled hopes that make ghosts walk the earth. In this project, defined as a mix of straightforward congress, séance and film shoot, theorists and artists meet to talk about – and with – spirits. Hamlet’s ghost will be there, and the spectre of communism has also been invited. The title comes from the concept of hauntology, which was developed by Jacques Derrida in his book „Spectres de Marx“. Basically  it is about the need to remember the ones not living anymore (and the ones not yet born) in times that are, as Hamlet put it, out of joint. In these times, Derrida suggests, spectres of the past and of the future might be a source of hope and a chance to go beyond the boundaries of our present world.

Brut : Karlsplatz 5 – 1010 Vienna, Austria

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